Still Waters

I have been hot, hot, hot the past couple of days!  No, I’m not refering to a great haircut from Shannon or a new Ben Sherman overcoat.  My spirited opening sentence has to do with just that: spirit.  My ongoing Bruichladdich education took me to the still room, where fermented wash is distilled and distilled again to pull off fine spirit nearing 70 percent alcohol.

The still room at Bruichladdich.

The still room at Bruichladdich.

Neil and Budgie, the two stillmen, took the time to walk and rewalk me through Bruichladdich’s distillation process.  Unlike my time in the mash house, which was more observational than active, I was right in the heat of things, so to speak.  With still temperatures hot enough to bring more than 7,000 liters of liquid to a frothy boil, the still house is an ideal place to be during the Islay winter.

Budgie put me to work straight away, managing the steam flow to the wash still, weilding big, heavy handles to help him turn valves on and off, watching the quality of the foreshots, low wines and spirit using hydrometers in the spirit safes…in short, I was making whisky.

I’ve been to several distilleries where the still operations are run by computer and monitored by the still men.  They still produce fine spirit, and the still men certainly know their jobs.  However, I had the feeling with Budgie and Neil that the stills, safes and every last valve were more like well-recognized old friends than machinery.  Both men run the stills in slightly different ways, in the same manner PG and Peter ran the mashings with subtle differences. 

Jim McEwan said that’s the essence of Bruichladdich: it’s a handcrafted whisky that exudes the diversity of the craftsmen behind it.  If Bruichladdich’s standard bottlings taste a bit different from one year to another, that’s a good thing, Jim believes, because it’s a return to the handcrafted legacy whisky-making fore-bearers left us. The only consistency Jim wants is in a high quality single malt hitting the bottle. 

Budgie explains the process to me as seen on Bruichladdich's Web cam (thanks to a loyal reader!)

Budgie explains the process to me as seen on Bruichladdich's Web Cam (thanks to a loyal reader!)

Time in the still room really helped me watch my “baby” grow up.  The spirit that we distilled was from some of the mash that I helped turn into wort and watched (and smelled…mmmm) ferment.  Today, we helped it grow up into Bruichladdich spirit.  The next step is to watch it mature, and in order to do that, I need to….well, you’ll read about it tomorrow.

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Working for my whisky

I am now 24 hours into a new way of looking at whisky: from the inside.  For the next two weeks, I am learning all there is to know about whisky making from the innovative experts at Bruichladdich Distillery (www.bruichladdich.com) through immersion — not in whisky, but in the process.

At the invitation of distillery manager and whisky legend Jim McEwan, I am going to essentially shadow the Bruichladdich team in all facets of production.  For the past two days, I’ve been working with PG and Peter in the mash house.  It’s here that the malted barley is mixed with hot water to draw out the sugars, which are eventually converted into alcohol in the fermentation and distillation processes. 

The water and barley grist make their way into the mash tun.

The water and barley grist make their way into the mash tun.

Bruichladdich has a rare four-wash mash cycle (compared to the standard three) in which the last two washes go into the first two washes of the next mash.  This draws even more sugar out of the grain.  Each cycle takes about 6-8 hours.  The wort (sugar-rich water) from the first two cycles are piped to the washbacks in the adjacent tun room, where it ferments (once yeast is added) in a 35,000 liter pine washback for  60-70 hours. 

At any given time, four of the six washbacks are filled and are in various stages of fermentation.  One washback could be bubbling like a witch’s gigantic cauldron, as the reaction from the yeast throws off hot carbon dioxide.  Another washback could be enjoying the calm from the end of the fermentation process and, in fact, contain a fruity, fizzy “beer” that is strangely drinkable.

PG and Peter came to the whisky life years ago from other careers (fisherman and farmer), and expertly execute their jobs (including milling the barley several times a week).  The mashing process is a slow one, so there is often time spent watching barley bubble in the hot water or doing other minor tasks.  But when it comes time to empty or fill the mash tun, it’s a flurry of activity with multiple levels of valves needing to be opened, temperatures to be watched and maintained, and mash to be stirred.   

Emptying thousands of liters of wort into the washback tun.

Emptying thousands of liters of wort into the washback tun.

My tasks were minor, carrying and dumping yeast into the cavernous washbacks, but I still had an important introductory education.  My biggest impression is how much character of the final spirit is imparted in the mashing process.  Bruichladdich claims 60 percent of the final character is developed in this stage.  Based on the cereal and fruit aromas I noticed growing increasingly stronger as the wort fermented, and even as the sugars were being drawn from the barley in the mash tun, I’d have to agree.

It still amazes me that barley, water and yeast are these basic all-natural ingredients that end up becoming this amazing spirit.  But, I guess the monks who invented whisky didn’t have much else to work with, so they made magic from mash.

Next up for me is the still room, where the fermented wash is distilled into the “spirit” of Scotch.  In other words, I’ll spend the day in a furnace room, which is good considering how cold Islay’s been this week!

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The long walk to a good whisky

A few days ago, I took a four mile walk from my cottage on Persabus Farm to the end of the coastal road on Islay’s northeastern shore.  The weather was unbeatable – no rain to soak me, no wind to knock me about and plenty of sunshine to give me stunning views of Jura’s snow-covered mountains and to bring out the brilliant blue of the North Sea.

The walk to Bunnahabhain gives incredible views of the North Sea and the Isle of Jura.

The walk to Bunnahabhain gives incredible views of the North Sea and the Isle of Jura.

 

 

Along the solitary way, I was only passed by a fishing boat, heading out for the afternoon’s catch.  The boat slipped out of sight as my destination came into view: Bunnahabhain Distillery.  The visual transition was most appropriate, as Distillery Manager John MacLellan gave up a career as a fisherman and a life on the water to work in the world of whisky making the water of life.

Bunnahabhain is the Islay distillery I am least familiar with, so it made for an appropriate first stop.  The distillery is nestled in a little cove along the Sound of Islay, within shouting distance of the Isle of Jura on the other side.  If you jumped on a raft at the distillery’s dock and let the current take you, I don’t think you’d stop until you hit Santa’s icy beach – it’s just open water as far as the eye can see once you are through the sound.  The place is quiet, secluded and large – Bunnahabhain produced more than two million liters last year – but still intimate.

 I’d only had a couple of tastes of Bunnahabhain through the years – their standard 12-year-old and an independent bottling that was around 32-years old.  What I remembered from both was how faintly peated the malt was.  This is significant because Islay’s malts are known for being at the peak of single malt peatiness.

Bunnahabhain Distillery is home to Islay's lightest peated malt.

Bunnahabhain Distillery is home to Islay's lightest peated malt.

John told me the faint peatiness is intentional.  Bunnahabhain has served for many years as a primary malt in the Black Bottle blend, and as such is distilled to complement that blend and others (Cutty Sark, Famous Grouse), rather than stand out as a single malt.  It wasn’t until 1979 (the distillery was founded in 1881) that Bunnahabhain’s 12-year-old came on the market as a single malt.  In the past few years, they’ve added 18-year-old and 25-year-old bottlings. 

 

 

 

 

With only a 2ppm phenol count, the light peatiness allows Bunnahabhain to use primarily sherry casks in aging.  The spirit itself has the fruity flavor of apples and a citrus tinge of lime that seems drawn through cereal.  The result is a light, fruity flavor that has hints of grain, peat and is frosted with sherry nuttiness.  The sherry influence is richer in the older bottlings, in part due to more years spent in the cask, but also due to the inclusion of more first-fill sherry casks in older bottlings. 

MacLellan says the key to Bunnahabhain are the water, which is collected at the source in order to reduce the chance for the natural peatiness of Islay’s soil to infiltrate the water, and the mash cycle of the grain.  The distillery uses a significantly longer than typical mash cycle to maximize spirit yield from each batch of barley.  The longer cycle helps maintain spirit quality even when the quality of the grain is lesser due to a poor growing season.

Bunnahabhain was the first Islay distillery to make a special bottling for Islay’s hugely popular yearly whisky festival, and each bottle is signed by MacLellan and at least one other member of the 11 person workforce.  Fans that purchase the autographed bottles are getting a real prize of whisky-making history.  MacLellan has more than 30 years in the industry, and several other staffers have up to 40 years experience, mainly at Bunnahabhain.  It’s this consistency that is the hearth fire fueling the fine malt.

I was quite surprised by Bunnahabhain and their bottlings.  The 12-year-old is a great any time dram, and the 18-year-old is a wonderful winter drink or end of the day tipple.  In my minimal previous exposure, the malt didn’t make an impression one way or another.  Now that I’ve taken a serious look at the distillery and truly earned a taste (four miles walk for a dram!), I find Bunnahabhain is an unexpected delight.  It’s a nice bridge between Islay and the mainland malts.  Enjoy it if you get the chance!  www.bunnahabhain.com

 

 

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Islay Initiation

After long last, I am comfortably at my new home for the foreseeable future: Islay, the Scottish island of the peated malts.  My arrival here brings my whisky experience full circle in some ways, as it was Fergus Hartley, formerly of Bowmore, who took the time to give me a personal tasting introduction to Scotch several years ago that drew me into this wonderful world.

Bowmore was the first distillery I stopped in after I arrived, and I enjoyed a fantastic distillery-only release that was reminiscent of holiday spices and aromas like pine, nutmeg and cinnamon.  I was there briefly, just stopping in to stay warm during a short visit to Bowmore for lunch and groceries.  I’ll get more details about the malt and post them after my next visit.

Currently, I am at the home of the renowned whisky writer/gourmet Martine Nouet.  Like several others who are passionate about whisky, Islay called to Martine for many visits and eventually a home.  With views of two distilleries and Ireland on a clear day, her place is a magnificent location for enjoying a dram, along with her wonderful cooking. 

I am finally settling into island life and over the course of the next couple of weeks look forward to visiting some of the distilleries, renewing old acquaintances and making new friends.  And, of course, tasting a wide range of malts to share with you.

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India’s Most Wanted

Recently, I returned from a lengthy journey in India (and several weeks away from solid Internet access).  As previously mentioned, I brought several mini-bottles of fine whisky to enjoy with me when the occasion called for it: such as floating on a rice barge I rented for a backwaters tour in Kerala; playing a borrowed acoustic guitar on my balcony overlooking Lake Pichola in Udaipur; and having a lovely conversation with a Swiss woman at a rooftop restaurant as we waited for the rising moonlight to cling to the Taj Mahal.

The single malts I brought weren’t the only whiskies I drank in India, however.  Jim Murray (www.whiskybible.com) suggested that I try a few Indian whiskies while in that land of curry and cows.  So, while I spent seven weekdays in Anjuna, Goa, soaking up the sun on the beach, I spent seven weeknights sampling several whiskies that were available in the area.

The whiskies I enjoyed, ranging from a Seagram’s blend made in India, to McDowell’s Number One Blend, were all drinkable, which considering the price – under $2 U.S. for about a fifth – was one of my main concerns.  The impact of English “influence” during the 19th and 20th centuries brought whisky to the attention of Indians.  But, as with many external influences from various uninvited “visitors” throughout its history, India seems to have adapted whisky in its own unique way.

Take McDowell’s, for example. Certainly there was a malty dryness one would expect of someone trying to replicate or imitate Scotch.  However, there was also a subtle tropical fruit, even syrupy flavor – almost to the point where I wondered how it would taste poured over the galub jamon fried milk dessert balls that I inhaled on a regular basis.  McDowell’s ages their water of life in Scotch oak barrels, so that kissing-cousin malty/woody flavor is explained.  But that hint of pineapple, even a bit of a snappy spiciness, where did that come from?

Sadly, I didn’t have the chance to take a planned tour of McDowell’s distillery to have that question answered.  My distillery visit was scheduled a week after the terrorist attacks in Mumbai and due to security measures, it was canceled at the last minute.  I have no idea why I was wrapped up in that security clamp-down.  I mean, I was more of a threat to get bombed sampling their whiskies than I was of bombing their distillery. 

So, is that exotic fruit and rich spiciness a result of the warm tropical climate where the casks age?  Does it come from water infused with the flavors of every day dining in the region? Or is there a factory next door that cans curried mango and pineapple and the aroma filters over? I’ll never know the answer. 

But, I’ll forever remember sharing a dram with an English traveler I met at dinner as we discussed the shifting tide of world politics and economics in his country and mine.  And I know the McDowell’s blend provided plenty of familiarity tothe kind of whisky we each knew and loved, but added enough local pizazz to be the perfect drink for that beachfront conversation.  And as I stress and will continue to stress, having the right whisky at the right time is half of what makes it enjoyable.  So, McDowell’s, thank you for that memory moment. 

Now, if I could just get off your terrorist watch list…

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Tales of Wales

I’m often asked what my favorite whisky is, and I always reply it’s the whisky you’re drinking at the time you’re enjoying the moment.  It’s true.  Take, for example, the whisky I had the other night.

Though I’m in India, I brought half a dozen minis with me to enjoy at various points along the way.  A mini is basically a dram, give or take a little.  A couple of nights ago, I was sitting around a campfire along the Ganges River, having just enjoyed a delicious Indian meal prepared especially for me.  I was the only visitor at the Himalayan River Runners private camp and enjoyed a great day of whitewater rafting the Ganges, along with my Nepalese guides and a lad from Manchester, England – Eamon.

Eamon, Vijay (the head of the camp) and I were around the fire chatting about drinks (ranging from whiskies to homemade Nepalese concoctions), when I decided it would be an ideal moment to break out one of my minis – the largest I had, which would give each of us a fair taste.

I chose a relatively unknown whisky from Wales – Penderyn – which the great whisky writer Jim Murray originally turned me onto a couple of years ago.  The sweet, nutty, slightly spicy malt complimented the curry meal we’d just finished.  Soon after starting our sipping, we were offering personal observations about life, family, relationships, and that big-ass rapid that nearly tipped our raft a few hours earlier. 

Do I rush out to buy Penderyn whenever I can?  Though I enjoy it, I can’t say I do.  But for one evening, sitting around a campfire, three men from quite different parts of the world found it to be an unbeatable malt.  And no whisky will ever be better in that moment than Penderyn.

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How can I stop that dram cough?

On my flight to India last week, throughout my repeated viewings of “Mama Mia” (my new favorite film, seriously), I was taken with coughing fits that were the dry, hacking “He must have TB” type that has worried mothers covering their children.  Thankfully, I was able to ease some of that coughing with a mini-bottle of Jack Daniels.  Still didn’t help all of it, but it eased my itchy throat enough that I was able to enjoy Meryl sing “WInner Takes It All” to Pierce distraction-free.

In general, when it comes to not feeling well or having those kinds of coughs that just won’t stop, I prefer Irish whiskey over anything else – specifically Jameson.  It rolls nicely into a hot toddy, but it’s also of the right character to be imbibed when you are so sick that the taste of anything makes you sicker. It’s sweet, but not too sweet.  There’s a much nicer warmth than just taking cough syrup, and it doesn’t have the “whacked out feeling” the latter leaves you with. 

Whisky has long-been used for medicinal purposes.  Even during the U.S. Prohibition of the 1920s and 1930s, doctors delved out thousands of whisky prescriptions to cure everything from arthritis to, yes, coughs.  In fact, if memory serves me, Laphroaig was the only Scotch legally imported into the U.S. during that time because it was so medicinal smelling and tasting, authorities couldn’t see it being used as anything other than medicine.

So, the next time you reach for that Nyquil, try a dram of the amber cure-all.

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Welcome to the Whisky Guy!

I am pleased to welcome you my very own Web site devoted to my passion for whisky.  As many of you know, I shall be traveling abroad the next few months, and this site will allow you to follow my whisky-related experiences along the way.  While the blog won’t hit its stride until I move to the island of Islay off the coast of Scotland after the first of the year, I will still provide appropriate whisky updates during my time in India.  Yes, there is whisky in India, and I’m excited to tell you all about it.

My blogs will be far more than just musings about whisky.  As you may know from my columns, I tend to talk a little about whisky and a lot about…well, whatever else crosses my mind.  I have links to two of those columns on this site.  Unfortunately, I don’t have pdfs of the rest of my columns, which are boxed away in a storage unit in Los Angeles. 

Before I sign off (and rush to my flight to Delhi) I want to offer a sincere and boundless thanks to the boys at Dragonfly Design Group for this wonderful site.  I’ve worked with these guys on a number of projects through the years, and they are brilliant at taking broad ideas and making them into visual masterpieces.  My words and photos are their paint.  I love how they blend them into what you see before you.

Stay tuned to this site for what will hopefully be an entertaining and educational journey through all things whisky. Or is it whiskey? Dig around the site and find out!

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