The Manhattan Project

Somewhere in the remote recesses of the American West, a team of highly specialized alchemists went to work on a secret project that would forever change the course of history: I will call it the Manhattan Project. No, not THAT Manhattan Project! The only way to get bombed with the product of this Manhattan Project is to say, “Bartender, can I have another?” too many times.

The historic US Grant Hotel in San Diego recently teamed with High West Distillery in Utah to create a signature aged Manhattan cocktail. The drink, devised by the hotel’s mixologist and sommelier Jeff Josenhands, is made of Utah Rye Whiskey, Alpine French Vermouth and premium old-fashioned bitters. It was married and aged in a cask for exactly 100 days and then bottled with custom labels and served at the US Grant Hotel as part of their 100th anniversary celebrations.

According to Josenhans, the product is more integrated and smooth than a newly-made Manhattan. Hotel officials wanted a cocktail that harkened back to the pre-prohibition days when the hotel was the toast of the young city. Patrons at the hotel can enjoy the new cocktail at dinner, in the lounge or even through room service to help wind down after a day of exploring the city or hitting the surf.

The US Grant Manhattan continues a pattern in mixology the past few years of thinking outside the box, or in this case, inside the barrel, to enhance the cocktail experience. I know I’m eager to try this concoction and may have to make the drive to San Diego at some point this summer.

Posted in Reviews and Tasting Notes, Whisky and Writing | Tagged , , | 6 Comments

Grapes and Grottos

I’ve been answering a lot of questions about whisky lately, from friends who want recommendations to bartenders that want to know better ways to promote their whisky selection. I’m going to take a break from whisky for a bit to write that wonderful annual essay, “How I Spent My Summer,” in this case known as “Here is Why I Haven’t Written in a While and While I’ll Now Write About Wine Instead of Whisky.”

I spent the latter weeks of the summer far away from the Internet, both in the physical and historical sense when I joined an archaeology project in Southern Italy. For several weeks, I was on a project excavating a Roman site near the town of Rionero in the Basilicata region. We excavated everything from tombs that were nearly 2,000-years-old to the remains of a potential villa. Among the latter we found many pottery pieces, some of which may have once upon a time held the very wine the region is known for: Aglianico.

The Aglianico grape produces wines with overtones of dark fruit, sharp spices and rich chocolates. The vines have grown strong and healthily in the region thanks to soil that was made rich by the eruption of the Vulture volcano some 40,000 years ago. The ancients found the area perfect for vineyards, and even today, many families have their own small vineyards where the patriarchs produce house wines that are minimally aged and enthusiastically imbibed.

In the Middle Ages, the passion of Rionero’s residents for this wine was so great that they dug cellars out of the limestone beneath their homes, and often ran into their neighbors digging tunnels of their own. Every household had their own wine making and storage facility right at their feet…or at least a few feet beneath their feet. The town today sits upon miles of these artificial grottos. Lord forbid that any kind of earthquake hit the region. The entire town would sink about 30 feet if that happened.

Rionero has miles of underground grottos used for winemaking and storage throughout the centuries.

Rionero has miles of underground grottos used for winemaking and storage throughout the centuries.

Today, the award-winning Cantine del Notaio (http://www.cantinedelnotaio.it/) winery is headquartered above a series of grottos once used by Franciscan monks in the late Renaissance period. The winery is named after the notary who owned the buildings a couple of hundred years ago, and their wines reflect this history. The wines are named after such notary terms as La Firma (the signature at the end of a contract) or La Stipula (the stipulation of a contract).

A tour of Cantine del Notaio takes visitors through a subterranean maze of limestone grottos and where the French Oak barrels used to mature the wine are stored. The grottos are cool, moist and the ideal places to age wine at a constant temperature, especially during the hot, dry summer season. The grottos sit just a few feet above the water table, so there is the constant drip of moisture from the walls, and if you listen carefully, the quiet gurgle of water from the cavities beneath the carved out caves. Like in all of these wine grottos, Cantine del Notaio’s storage facilities include a cross-topped shrine to bring God’s blessings from above to the wine workings below.

The winery produces some 200,000 bottles a year. My personal favorites are the L’Autentica moscato and the Il Rogito. The L’Autentica moscato brings delightful dances of honey, apricot, and lemon to the nose. The palate is thick and syrupy with flavors of peach compote and watermelon. Overall, the sweet white wine evokes the thrill you have smelling an amazing perfume on a woman Saturday night hoping you can still bask in its lingering effects Sunday morning.

Il Rogito is a still rose, with an amazing ruby red body. You almost get as much joy looking at its color as you do drinking it. The nose is a rich floral bouquet of high priced flowers, the palate fruity, and the finish like a cherry turnover. This is the kind of wine you would want to raise in toast at a fairytale wedding. It’s simply fantastic.

The thing I really like about Cantine del Notaio, and wine making in the Rionero region in general, is you don’t feel like you’re drinking something that is, ultimately, a commercial product. Many wine regions in the world are wonderful and the wineries have rich family histories. Yet, there is a marriage between the art and the commerce of winemaking. In Rionero, you feel the people are making wine because they need something good to drink with Sunday lunch, and if outsiders want to buy it, well…that’s nice, too.

Posted in Whisky and Writing | Tagged | 1 Comment

Alcohol Around the World

Absence makes the heart grow fonder, they say. Well, I’ve been absent so long you may think my heart has stopped working. Fortunately, it’s still beating strong and has propelled me across Europe in the month-plus since my last post. I haven’t been slacking with my passion for alcohol. On the contrary, I’ve branched beyond whisky to explore drinks that are rather unique to their countries of origin. In the next couple of weeks, I will go into detail about those drink experiences. For now, I have a few musings about alcohol around the world.

I shouldn’t be surprised, but I am unexpectedly reminded that throughout the world alcohol has an important place in society. Certainly, we can wiggle our fingers at people who have a drinking problem or hang our heads in disappointment when we make our own alcohol-hazed decisions. These individual decisions, for better or worse, distract from the important role alcohol plays in society and the collective identity.

Alcohol is often an extension of a local way of life: the fermented apple juice that becomes calvados in orchards of northern France; weaker beer that better served the industrializing working class around their heavy machines in Pilzen, Czech Republic and became the light-bodied Pilsner; and plum palinca from Transylvania, Romania that reveals the region’s long political and cultural connection with neighboring Hungary. People drink these regional alcohols as much out of pride and tradition as they do to forget the rough times in life. Poles have their grass-infused vodka that has stood the test of time and the push and pull of neighboring powers like Germany and Russia. It’s a touchstone that binds them through the dark and helps them to celebrate the light.

It’s not surprising that America, of all places, had a “successful” temperance movement. The country is a veritable baby in this deeply historic world of ours. America didn’t have an alcohol tradition beyond that of what people brought from their individual countries. And when some of those immigrant groups, such as the Puritans, brought with them not a national drink, but a religious disdain for something they didn’t understand or couldn’t tolerate, then they had as great a chance to charge the national current as the whisky producers did in Scotland.

I guess they forgot to read their own book:

Proverbs 31

6 Give beer to those who are perishing,
wine to those who are in anguish;

7 let them drink and forget their poverty
and remember their misery no more.

Posted in Whisky and Writing | 1 Comment

Poking Around the Peat

Peat is an important component of Scotch whisky, giving distinct levels of smokiness to barley as it dries the grain.  Considering the vegetation that comprises peat died thousands of years ago, it’s perhaps the original recycled product.  Peat harvesting has been done for thousands of years for use as a heat source and a drying agent.

Highland Park is one of the few distilleries that harvests its own peat.  Cutting peat blocks out of a landscape that has seen human habitation for more than 5,000 years occasionally leads to more than just decayed vegetation coming out of the ground.

In 2006, a peat cutter noticed a lump of metal in one of his peat blocks.  Thinking little of it, he gave it to a co-worker to take home to clean it up that night.  The co-worker’s father asked to take a look at the object and noticed it seemed a bit unusual.  The father asked to take it to a colleague at Orkney College who was an expert in archaeology.  The next day, the archaeologist salivated over an extremely rare Bronze Age ceremonial axe head that had been ritually placed in the peat bog thousands of years earlier.  It’s currently on display at the Orkney Museum in Kirkwall.

Bronze Age axehead found in Highland Park's peat bog.

Bronze Age axe head found in the Highland Park peat bog.

The deep past isn’t the only surprise Highland Park’s peat cutters face.  One day a few years ago, they paused their cutting when they heard the sound of metal on metal.  Distillery Manager Russell Anderson was sitting in his office when the peat team called, describing the object they found.  He laughed at their call and hung up on their practical joke.  They called back again. And again.  Finally, he started to take them seriously and rushed out to the bog for a look at their find.

No joke, they’d found a bomb.

The Orkney Islands saw German action in both World Wars, and was also a staging area for the U.K. military.  The bomb was likely from one of those eras, though a bomb squad from the mainland made sure people didn’t have too much time to inspect it.   They blew it up.

So, if you think Highland Park is a hard hitting whisky with an explosion of flavor, there is more to that assessment than meets the eye!

Posted in Whisky and Writing | Tagged , , , , | 1 Comment

Highland Park’s Tradition of Excellence

At some point, within the first five minutes of finding out I write about whisky, people inevitably ask me what my favorite whisky is.  As I’ve stated here many times before, I can honestly say the best whisky is the one you’re drinking when you stop and say, “I love this moment.”  I gave an impromptu whisky tasting in Caen, France last week, and I didn’t have much variety in whiskies with me, but the Laphroaig 10-year-old was perfect in that moment, with the gentle rain and the French music.

Highland Park's historic distillery produces one of the best single malts available.

Highland Park produces one of the best single malts available.

Once I explain my thoughts about the best whisky, I always follow up with this: even though the best whisky is the one you’re drinking at a particularly fine moment, I always have several bottles of Highland Park 18-year-old in my cabinet.  Why several bottles? Well, it’s really so good I never want to be caught short of it.

With that in mind, I made the journey to Scotland’s Orkney islands last month to spend time talking with Highland Park Distillery Manager Russell Anderson and to tour the more than 200-year-old distillery that produces, in my opinion, the perfect dram in the 18-year-old.

The Orkney islands are an aberration for Scotland.  The island chain was in the Nordic realms until 400 some years ago, and even now it feels more like its own country in some ways because of that heritage.  Gaelic influence, which is readily felt in places like Islay or Skye, seems absent in Orkney except in the very vital area of whisky distillation.  The Orkney main island is surrounded by rugged waters that have time and again seen the impact of history, from Neolithic times and the 5,000 year old house remains at Skara Brae village to the submerged German WWI fleet in the Scapa Flow.

My goal was to learn less about epochs of time and more about the relatively short term time it takes to produce a good Highland Park: 12, 15, 18, 30 years or whatever it may be.  Island distilleries must be fairly independent and innovative with their processes due to their remoteness from the Scottish mainland.  When issues arise all they have are the resources at hand to utilize for their production.

For Highland Park (www.highlandpark.co.uk), those resources mean harvesting their own peat from land near their location in Kirkwall.  According to Russell, the peat is critical to Highland Park’s flavor profile.  They’ve experimented with other peat, even peat from elsewhere in the Orkneys, and the subtle differences in vegetation make for a major change in the end product.  So, for six months out of the year their peat cutting team is hard at work harvesting the catalyst for the distillery’s own floor maltings.

Cutting one’s own peat and doing one’s own maltings is not inexepensive for a distillery that produced 2.5 million litres last year.  However, Russell says he holds his own ground against any accountants who question those higher costs.

“It’s about maintaining quality and it’s quite an expensive product to produce,” he says.  “But, I’m absolutely convinced that the extra cost is critical for quality.”

A walk through the distillery seems like a walk through time, as the original stone buildings and cobblestone paths make Highland Park look like a living history museum.  Despite being on a relatively remote island far removed from any major city, Highland Park receives thousands of visitors every year.  Most know and love the malt, which makes their visit a pilgrimage of sorts.  I have to say, I felt the same way.

“I still to this day find it extremely humbling for people to come from all over the world to see the distillery. It’s my day job,” Russell says.

Each Highland Park expression has a different balance of Orkney peatiness, barley maltiness and fermented sweetness.  For me, and for Russell, the 18-year-old is the perfect culmination of that balance.  The 18-year-old uses a higher percentage of sherry casks than younger offerings to bring a spicy sweetness to the marriage of oak and peat.  Put simply, everything is right with the 18-year-old.  Nothing can make it any better, and every time I have a sip I have the same amazed reaction.

Russell and his team work very hard to keep Highland Park’s 210-year-old tradition of excellence strong.  For a distillery with such a large output, there is considerable care and attention to detail in the production process.  The result is a whisky that is produced in enough quantity to reach discriminating consumers around the world and is delivered with enough quality to keep them coming back for more.

Posted in Whisky and Writing | Tagged , , | 1 Comment

Caol Ila Is Islay’s Big Little Secret

Let me get this out of the way: Caol Ila has the best location for a distillery I’ve ever seen.  Are there others I’ve yet to see that could be better? Perhaps.  If something can top Caol Ila, I look forward to it.  Let me also get this out of the way: Caol Ila’s actual distillery benefits greatly from the location.

The view from Caol Ila is unbeatable.

The view from Caol Ila is unbeatable.

The distillery is tucked at the base of imposing cliffs with a waterfall funneling its way through the forested cliff face.  As impressive as that is, the other side of the distillery is breathtaking. Without the fast rushing waters of the Sound of Islay on its front door and the majestic Paps of Jura towering across the way, the distillery would be little more than an industrial spirits production facility.  That’s not a very romantic description, though appropriate.  What makes the entire experience romantic is looking past the massive stills and through the enormous windows to see a sailboat slipping through the Sound.

Caol Ila is deceptive in another way as well.  Like its Islay cousin Lagavulin, Caol Ila’s barley is malted with a 35ppm peat level.  The finished product lacks the huge punch of Lagavulin and instead offers a passionate kiss of peatiness that follows the sweet caress the spirit delivers.

Two factors contribute significantly to Caol Ila’s sweet spirit.  The first is clear wort that comes off the mash tun, which has a three wash cycle.  The second factor is the extremely long fermentation in the distillery’s larch washbacks.  Caol Ila has a 110 hour fermentation process, which is double the length of fermentation for numerous distilleries.  The longer fermentation allows the yeast to suck every last ounce of sugar out of the wort and gives a nice contrast to the peatiness imparted by the barley.

That sweet and smoky flavor profile also has strong hints of the sea, which is also a bit of a game of smoke and mirrors.  The distillery only has room for 7,000 casks on-site, and most of those are older stocks.  All new spirit is shipped to the mainland to be casked.  So, let those arguments about whether or not salty sea air influences the flavor of whisky continue.  Personally, I think it does, but I can also taste the sea in Caol Ila.  Who knows: with all those years on the Pacific Ocean in L.A., maybe I’m the one who is infused with sea salt.

The bulk of Caol Ila’s 2.3 million liters produced each year goes toward Diageo’s Johnnie Walker blends.   The remaining goes toward its core range of 12 and 18 year old expressions, as well as some of the limited bottlings, such as an 8-year-old unpeated edition, un-aged cask strength, 12-year-old Distiller’s edition matured in a Muscatel cask for six months and a 25-year-old limited edition.

Looking down upon Caol Ila from the village above.

Looking down upon Caol Ila from the village above.

My cottage was located 20 minutes from Caol Ila, through fields and across burns.  I would often walk past the distillery to spend time sitting along the rocky shore, downwind of the distillery, soaking in the rich barley aromas.  Caol Ila produces a massive amount of whisky and its distillery is built for that purpose.  For me, though, the whisky evokes memories of seals playing along the shore, a wealth of seabirds splashing in the waves and a smoky-sweet liquid crossing my lips as I enjoyed a rare sunny day on Islay in winter.  Caol Ila is essentially my friendly neighborhood distillery.  I encourage you to give it a try and maybe the dram will take you there, too.

Posted in Whisky and Writing | Comments Off on Caol Ila Is Islay’s Big Little Secret

Getting Your Fill at Lagavulin

A year ago, in my life as a media strategist, I sometimes would have so much going on that I’d have up to ten meetings a day scheduled.  I’d be a slave to my schedule, running from location to location, turning the previous meeting’s line of thinking off and trying to start up the right mental information for the next meeting.  Add to it the clogged Los Angeles freeway traffic that made getting anywhere a nearly impossible task…well, there was stress.

The past few months here on Islay has been stress free thanks to no traffic problems and no meetings… except for one a couple of weeks ago.   I am so out of touch with having to be at a certain place at a certain time, that when it neared the time for me to catch a bus to Lagavulin, I was still sitting in my cottage doing some writing.  Thankfully, I noticed the clock and sprinted to the bus stop in time to catch the bus for the 45 minute ride.  Unfortunately, my lapse in timeliness meant I went without eating lunch, which is never good for getting through the afternoon, let alone touring a distillery and tasting whisky.

The spirit loved the world over all passes through here.

The spirit loved the world over all passes through here.

Lagavulin means, “hollow by the mill” and fortunately for me, before I reached the mill house the growl in my hollow stomach was filled with some oatcakes and cheese courtesy of Kirsten and Ruth, two of the distillery’s tour guides.  I shouldn’t have been surprised by their generosity.  As I found out later from Distillery Manager Peter Campbell, lending a hand to those in need is something Lagavulin does proudly and does well.  More on that later.

 

 

 

There are hundreds of whiskies from around the world, but only a handful grab your attention by the mere mention of their name.  Lagavulin is one of those whiskies.  Whisky lovers the world over know about Lagavulin’s meaty peatiness that reaches into the cockles and envelopes them with a smile.  Iodine and saltiness take the drinker immediately to the wilds of Islay and layers of fruitiness and spice make them want to stay.

The remains of the medieval Dunyvaig Castle jut into the sea next to Lagavulin, reminding visitors this site has been important for more than just whisky for centuries.  The hollow is so well protected that between the downfall of the castle and the legitimate launching of Lagavulin, as many as ten illicit stills utilized the site.  Now, there is just Lagavulin, which has legally stood on these shores since 1816.

Lagavulin's huge stills generate 1.3 million liters of whisky a year.

The giant stills at Lagavulin produce 1.3 millions liters of whisky each year.

The distillery goes through some 120te’s of malted barley a week in its 24/7 operation that yields 2.4 million liters of whisky each year.  Aside from approximately 10 percent which is set aside for blending, Lagavulin’s main bottling purpose is single malts.  The 54-hour fermentation creates a balanced sweet and slightly spicy wash the peeks through the robust peatiness brought on through the earlier malting.  This basic character is found throughout Lagavulin’s range of bottlings, but is perhaps most prevalent in the 12-year-old cask strength.

 

 

 

The 16-year-old is the standard by which most of the world knows Lagavulin. According to Campbell, who took over as distillery manager in November, his goal is to make sure that each bottle maintains the same consistency consumers know and love. 

“To me, this is my dream job.  Lagavulin is my favorite whisky and in my opinion, one of the best whiskies in Diageo,” Campbell said.  “I’m proud to produce one of the best whiskies on Islay.”

Campbell came over to Lagavulin from running the Port Ellen Maltings just up the road from the distillery.  The 35ppm peat level of the optic barley is infused at the maltings, and serves as the genealogical root to what ends up in the bottle years down the road.  Appropriately, Campbell’s own family background is also rooted on Islay and since coming to the island in 2000, he’s  embraced the community his forbearers called home.  

While Lagavulin the drink gives Islay’s spirit to the entire world, Lagavulin the distillery and its staff are well-known for having a giving spirit that benefits Islay.  They hold a number of fundraising events throughout the year where much of the proceeds go to local organizations.  Their bravest event is the annual Lagavulin Leap which lets loads of locals launch themselves off the distillery pier in the middle of winter in return for financial pledges.  Those who survive (and they all do) are treated to a dram or five to get the blood flowing again after being in the frigid winter sea.  Both Peter and Kirsten have participated in the event, though they are coy about whether either of them will ever do it again.  I don’t blame them.  That water is COLD.

Lagavulin sits along a stretch of road that puts in smack in the middle of Ardbeg and Laphroaig.   The distillery doesn’t have Ardbeg’s café, and it doesn’t have Laphroaig’s floor maltings, but it’s still well-worth an extended stop if you have the chance.  I won’t guarantee the staff will feed you if you’ve forgotten to eat lunch, but they’ll certainly provide you with an enthusiastic tour of the historic grounds and some fantastic drams.  You definitely won’t leave feeling hollow.   

Posted in Whisky and Writing | 1 Comment

An Island Friend to the World

The first bottle of Islay single malt I ever purchased was the Laphroaig 10-year-old.  When I first started exploring single malts, I heard mysterious rumblings from whisky people about this island dram that was a love-it or hate-it pour.  There were single malts you enjoyed and there was Laphroaig.  Even the name invited a special challenge.  Laap-Hro…egg??? (actually pronounced La-froyg).  I went to a whisky shop in San Francisco to make the purchase and the owner raised an eyebrow when I said I’d never even sampled it.  He put it in the bag with a “I hope you know what you’re in for” kind of look on his face.

When I opened the bottle for the first time, I recoiled at the medicinal aroma.  It smelled like something you’d soak bandages in before putting them on wounds (later I would find out that this aroma benefited Laphroaig during the US Prohibition, as it was marketed and sold as medicine).  The nose betrayed an almost sickly sweet mixture of smoke, seaweed, and alcohol.  I reluctantly sipped this ill advised purchase and screwed my face in anticipation of the horrible taste.  I sipped it again.  Hmmm.  Interesting.  Another sip.  I was starting to have the feeling you get when you peel off a scab: it hurts, but in some strange way it also feels good.  I took another sip. And another.  I didn’t feel ill, I felt excited.

Since then, my whisky collection has never been without a Laphroaig. 

The excitement from my first bottle of Laphroaig (www.laphroaig.com) carried over to my first recent visit to the distillery.  Just as I had to fight the elements of Laphroaig’s malt in order to enjoy my first taste, so too did I have to fight the elements to get to the distillery for my first visit. I was there on a miserable day of heavy wind, cold rain, heavy rain and cold wind (on Islay it’s possible for the wind and rain to each do two things at once, just to make outdoor excursions all the more challenging).  

Laphroaig's famous peatiness comes from the burning of local peat to dry the floor maltings.

Laphroaig's peatiness comes from the furnace below the malting floor.

Laphroaig has enjoyed a 50 percent growth in the U.S. market in the past year, which explains why the only other person there on this wicked weather day was a fellow from New York.  The distillery is a mixture of old and new.  They still do their own floor maltings for a percentage of their whisky.  However, with an annual production of more than two million litres, their equipment is modern through and through.

The thing that grabs you most about Laphroaig is the location, wedged on a developed piece of land bordered by bogs and woods on one side and the raging sea on the other side.  In fact, once you see the setting, especially under the conditions I did, you understand why Laphroaig has an otherworldly taste: it comes from an otherworldly place.

Distillery Manager John Campbell, who joined the distillery in 1994, says the magic of Laphroaig is that the taste does take your imagination to a place as wild and untamed as Laphroaig.  The third-generation whisky maker thinks that with the stresses and speed of modern life, people enjoy the mental picture of escape Laphroaig provides.  The image, along with the layers of flavor in the spirit, is what drives the continued growth of the product. 

Laphroaig would need a rudder if it were any closer to the sea.

Laphroaig would need a rudder if it were any closer to the sea.

The distillery has nearly 350,000 “Friends of Laphroaig” — fans from around the world who are wild about the whisky.  They flock to the distillery throughout the year, and when not visiting in person, enjoy several online opportunities to see Laphroaig in action, including partaking in a “Laphroaig Live” Web event. As I talk with John, I hear the sea crashing against the rocks of Laphroaig’s oceanside doorstep.  I realize that from these shores a whisky was launched nearly 200-years-ago that still makes huge waves around the world.

I’m sitting in the Port Charlotte Hotel pub as I write this Laphroaig musing.  The pub was named the Whisky Pub of the Year in the Good Pub Guide 2009 (http://www.thegoodpubguide.co.uk/pub/view/Port-Charlotte-Hotel-PA48-7TU) and has a fantastic selection of Islay malts.  Laphroaig is well-represented on the list with nearly a dozen offerings.  For my money, the Quarter Cask and the Cask Strength are fantastic.  The 15-year-old, which is being phased out in favor of an 18-year-old, is also a great dram. 

I always tell people that the 10-year-old is the perfect example that age doesn’t necessarily dictate how good a whisky can be.  When it’s ready, it’s ready.  I highly recommed you give Laphroaig a try and add a drop of water to open up the sweetness.  At first blush, you may find it a bit challenging, but give it a chance.  Who knows? Maybe you’ll end up finding a new friend.

Posted in Whisky and Writing | Tagged , , , | 3 Comments

The Kindness of Strangers

I’m writing from the Port Mor community center just south of Port Charlotte, Islay.  The sun is cutting through low clouds to deepen the blue color of Loch Indaal, the grass is green, and the center is filled with local families taking a late afternoon lunch break from the center’s playground — school is out for Easter break.

I’ve been in Port Charlotte for a few days, taking a break away from the cottage to enjoy some time socializing with locals I haven’t seen for awhile and with the influx of tourists that suddenly appeared this month.  A couple of days ago, I befriended a group of college students who are with a foreign exchange program at Glasgow University.  The group included Germans, Dutch and an American, and they were thankful that this stranger who has been on Islay for a few months could give them some tips about the island.

I joined the group on their last day here for a visit to Bruichladdich Distillery, which is just up the road, and a journey to Bowmore.  Mary and Caran in the Bruichladdich shop were kind enough to give us a special tour outside of their normal schedule, as we all had a bus to catch to Bowmore an hour later.  As always, the tour gave the students the chance to interact with the men and women of Bruichladdich in a very personal way.  In all my distillery visits to places like Laphroiag, Ardbeg, etc., the people involved in whisky making are friendly without exception and eager to answer questions they’re asked hundreds of times each year. Even though visitors may lack whisky knowledge, and perhaps lack a grasp of English, people here treat these strangers with kindness and respect.

Jim McEwan gives an impromptu whisky lesson.

Jim McEwan gives an impromptu whisky lesson.

Our little international group stopped in a warehouse where Jim McEwan and some of the warehouse boys were hard at work selecting casks for bottling.  Jim, who’s never met a crowd he didn’t want to entertain, dropped what he was doing and led the group on an eloquent journey through Bruichladdich’s philosophy and a tasting of one of the distillery’s many experimental spirits.  The college students – Florian, Irene, Erin, Jelle and another Florian – were unaware they were getting to experience for free what thousands of whisky enthusiasts around the world pay preciously for at whisky festivals: a chance to talk about whisky with Jim McEwan.  Irene, who had no interest in whisky before the tour, had developed both an interest in and a taste for whisky by the end.  Such is the magic of what happens when someone like Jim takes the time to interact with strangers.

We left the distillery to catch our bus in hopes of doing another tour at Bowmore Distillery.  The bus arrived – the small postal bus – and it didn’t have room for six biscuits, let alone six backpackers.  The students were worried, as they needed to be in Bowmore to catch the bus to the afternoon ferry back to the mainland.  We called a taxi, but they were all booked.  The weather was rapidly deteriorating, with strong wind and snappy rain, and it was a LONG walk to Bowmore.

Two local women, who’d stopped at Bruichladdich mini-mart graciously offered to give a ride to three of us, as that’s all the room the car had.  We sent along the two girls and one of the guys, while the remaining three guys stayed behind, trying to hitch another ride.  We had zero luck, as the few cars that passed us were filled with passengers or items.  A rescuer finally appeared in the form of the same two women who had helped our friends.  They’d returned several miles out of their way, as they couldn’t bear to have us suffering in the rain.

If there is anything I’ve learned in my years of travel and thousands of interviews I’ve conducted as a journalist, it’s that most of the problems in the world are caused by a few scared people.  The majority of folks are just trying to enjoy life and get along as best they can.  One morning in Islay made a difference in the lives of strangers from several countries.  Pretty impressive for a hunk of land peeking above the wild waves of the North Sea.

There is a wonderful piece about the people of Islay at Islay Info http://www.islayinfo.com/islay_people_ileach.html.  If you can’t make it here one day, at least check this out to see what you’re missing.  As always, thanks for the comments and the emails (rob.gard@whiskyguyrob.com).  I’m glad you are enjoying my whisky musings!

Posted in Whisky and Writing | Tagged , , | 1 Comment

A Warehouse of Knowledge

Friday night at the Ballygrant Inn can be a big night here on Islay.  I recently stepped out to join the locals at a fun “Quiz Night” trivia contest, thanks to the invitation of Adam and Grant from the Bruichladdich Distillery warehouse.  Joined by Joann who handles the data side of the warehouse operations and by Grant’s girlfriend, we were one of 14 teams who settled in for nearly four hours of trivia time.

Now, a pub trivia contest is in no way like Jeopardy or Eggheads.  Each round was separated by people going to the bar for more rounds of drinks.  A halfway point break included trays of sandwiches being passed out among players.  As a bonus, there was a raffle which raised money for a local organization while parceling out some great prizes.

I cleaned up on the raffle, with two of my five tickets winning me a box of candy and a bottle of Bowmore 12. 

As for our team, we finished a highly respectable second place, just two points out of first.  I was able to add some strength to questions about American actors and such, but was rendered mute when it came to U.K. advertising slogans.  Adam and Grant took charge of the football jersey identification round.  Joann rocked the cryptic rock band questions.  And we all chipped in to do extremely well in the James Bond theme song category. 

As a team, we won more candy, wine and whisky.  Between these spoils and other bottled items I’ve collected since arriving on Islay in January, I think I’ll have to leave all my clothes behind when I depart in order to make room for the beverages in my backpack.

Posted in Whisky and Writing | Tagged , , | Comments Off on A Warehouse of Knowledge